ESTRELLA DISTANTE ROBERTO BOLANO PDF

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Estrella distante is a fable about an impostor. A man with many names, many masks, many lives but with no other moral than the aesthetic. In Allende's time he appears with the name of Alberto Ruiz Tagle, a poetry enthusiast frequenting literary and poetic circles of a small Chilean town. But when the President is overthrown and the military appear in all their crudeness he becomes Carlos Wieder, the bloody and cruel soldier refined enough to make an art out of crime.

The narrator of the story investigates the figure of Carlos Wieder, a pilot and so-called poet who acquires a shady fame writing threatening Bible verses with the smoke of his Second World War plane on Santiago de Chile sky and who exhibits the photographs of those e tortured and executed during Pinochet's coup in a display of action-art.

In the climate of dictatorship, violence and confusion among the orgies of repression, he organises the exhibition of the photographs he took of his victims during and after their assassination.

The confusion between violence, death and the aesthetic will embarrass Wieder superiors. After becoming an outstanding and devilish member of the Chilean avant-garde aesthetics, the murderer poet disguises himself, disappears and deceives time, although always maintaining a constant in his personality: the fusion between creation and violence, poetry and crime, moral and cynicism.

He died in Barcelona in of a liver disorder he suffered from for more than a decade. He was awarded several prizes, among them, the Municipal Prize for Literature Santiago de Chile - the country's most prestigious literary prize - for Llamadas telefonicas in Si continua navegando, consideramos que acepta su uso.

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As with several other of his novels, the history of Chilean poetry is key, including quite a bit of fictitious history. He is literally distant. No-one seems to be able to get close to him and, when they do, they feel that he is far away. He is a star — a literary star. There they attend poetry classes given by two of the leading contemporary Chilean poets in their opinion , Juan Stein and Diego Soto, as students in the local university.

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The book is narrated from a distance by Arturo B. The narrator first encounters Ruiz-Tagle in a college poetry workshop led by Juan Stein, where Ruiz-Tagle presents himself as a well-dressed, financially secure, self-taught writer with an unnaturally cool, distant, and calculated demeanor — in sharp contrast to the economically poor, messy, leftist, activist tendencies of the narrator and most other poetry fans then enrolled at the University of Concepcion. Ruiz-Tagle also shows a surprising detachment from his own work, giving measured, intelligence criticism and receiving it without flinching. Ruiz-Tagle also shows a disquieting lack of interest in having more than superficial social relationships with most of his fellow aspiring poets. As the novel progresses it becomes clear that Ruiz-Tagle is far more and far less than a mere poet, through progressively darker and ironic twists and turns. The next sighting comes as the narrator stands in a prison camp for political undesirables, gazing up at a World War II Messerschmitt skywriting over the Andes. The aviator is none other than Ruiz-Tagle, now serving in the Chilean air force under his actual name, Carlos Wieder, and writing nationalist slogans in the sky.

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