However, delays in postal and courier services mean that deliveries are currently taking longer than usual. This release includes a digital booklet. This item is currently out of stock at the UK distributor. You may order it now but please be aware that it may be six weeks or more before it can be despatched.
|Published (Last):||18 April 2019|
|PDF File Size:||14.33 Mb|
|ePub File Size:||14.9 Mb|
|Price:||Free* [*Free Regsitration Required]|
Engraving file MuseScore v. Engraving File MuseScore v. According to Grove Music, "There are fantasias, variation sets, intabulations of vocal pieces, songs and a baxa de contrapunto setting of a basse danse tenor.
Diferencia III, a duo. Diferencia V O gloriosa Domina. Diferencia VI Sacris solenniis. Sesto tono Sacris solenniis.
Diferencia II. Diferencia IV, a duo. Diferencia V, de contrapunto, a duo. Sesto tono por otra parte Libro 5. Tres diferencias Y la mi cinta dorada. Primer tono Otras tres diferencias. Hechas por otra parte Baja de contrapunto. El canto llano lleva el tiple. Octavo tono First Pub lication. Fantasias ; Variations ; Songs ; Pieces ; For vihuela ; Scores featuring the vihuela ; For 1 player ; For voice, vihuela arr ; Scores featuring the voice arr ; Scores featuring the vihuela arr ; For voices with solo instruments arr ; For voice, lute arr ; Scores featuring the soprano voice arr ; Scores featuring the lute arr ; For keyboard arr ; Scores featuring keyboard soloists arr ; For guitar arr ; Scores featuring the guitar arr ; For 1 player arr.
All transposed and arranged for soprano voice and 9c. Arranger Marieh Marieh. Octavo tono.
He is also notable for being the earliest composer for vihuela to adapt the contemporary Italian style of lute music. He was born in Granada and the earliest surviving references to him indicate that as early as he was a member of the household of Francisco de los Cobos y Molina , a well-known and very successful patron of the arts who was the Secretary of State and commentator for the kingdom of Castile under Charles V. The collection begins with a preface, in which the composer dedicates the work to his patron Francisco de los Cobos. The first two volumes contain fourteen polyphonic fantasias, modelled after Italian pieces of the same kind. They are characterized by smooth, competent imitative writing in two and three voices. The second of the two songs is wrongly attributed to Gombert, it is a work of Jean Courtois. The intabulations are of high quality, but without any particular distinguishing features.
Luis de Narváez